In 2009, he entered Gerasimov University of Cinematography, and in 2016, he completed his directorial master’s degree at Moscow Art Theatre named after A.P. Chekhov (workshops of Viktor Ryzhakov and Valery Fokin).
His works have become laureates and nominees of the National Theater Award "Golden Mask," participated in the "Russian Case" program, and in international festivals in Finland, Poland, Germany, Austria, Hungary, Slovakia, Estonia, and South Korea. Batalov’s performances have been staged at the Theater of Nations, Meyerhold Center, Theater. doc, and Ermolova Theater.
Among his works are: "(Not) Ideal Che" (2022), "Mama" (Budapest, 2024), "Obedience" (Theater of Nations, 2021), "Brinner" (2020), "How Estonian Hippies Destroyed the Soviet Union" (Meyerhold Center, 2019), "Polonso System Car" (Theater of Nations, 2017), "Mirror of Carlos Santos," "Void" (2016), "Two in Your House," and "Uzbek" (Theater.doc).
Her creative journey began in childhood when she started working in theater and film. Later, after graduating from Russian Institute of Theatre Arts, she solidified her professional status by continuing to work in performances at the Saint Petersburg Theater of Musical Comedy and participating in an opera performance at the Mariinsky Theatre, nominated for the "Golden Mask" award.
She received three state commendations for the solo performance "Shagané. The Poet’s Secret," in which she served as actress, co-author, and executive producer. This project became a cultural discovery, revealing the true story of Shagané Taliyan, the woman who inspired Sergey Esenin to create the famous cycle "Persian Motifs."
Currently, alongside theatrical tours and film work, Tata realizes herself as a producer. The production center she founded is engaged in creating and developing independent artistic projects, introducing new names and formats.
After entering Shchepkin Theater School and working several years in theater, he chose to focus on cinema. His first major work was the series "Philips Bay" with Konstantin Khabensky in the lead role. Wide popularity and recognition came to him with the work "The Swordsman" directed by Philipp Yankovsky, where Artem played the lead role.
Behind him are works at Ermolova Theater, Gogol Center, and more than 130 film roles. Despite this, he continues to participate in new theatrical performances and films, delighting audiences with his creativity.